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On the note of killing magisters, combat in Divinity: Original Sin II is a complex but enjoyable affair. Battles are turn based with everyone having a set number of action points every turn. There is no finite MP meter but everything costs AP, including moving on the battlefield, and a lot of skills have a cool down period. Elevation factors into battle as well, with those on higher ground getting a damage bonus while those beneath them suffer a penalty. Trying to damage an enemy typically requires wearing away their physical or magical armor points before their vitality can directly be damaged but there is more to success in battle than just chipping away at someone's life bar. There are numerous status effects and elemental factors that can be used in battle, whether causing continuous passive damage, incapacitating foes or buffing or debuffing. Covering an area with oil for example will inflict slow status on people who wander into it, and if that doesn't sound bad enough a fire attack can be done on the oil covered surface to make everything burst into flames, setting anyone in the effected area on fire and causing passive damage for a number of turns. Should the player find themselves on the receiving end of this tactic, having someone with the ability to make it rain can remove the flames and burning status but can end up creating steam clouds, which sets up the board for a whole new set of problems.

There are some RPGs that hold the player's plan, at least through the beginning parts of the game. Divinity: Original Sin II **** is not one of these games. The player is given objectives and some hints at where they might need to head to accomplish them, but nearly unlimited freedom is given to the player in how they wish to go about it. This freedom on top of proverbially being thrown to the wolves level of hand holding can be overwhelming for players not used to it, but this means how the slg game patch notes unfolds is entirely up to how the player wishes to accomplish the myriad tasks. For example, if you have ever played an RPG and wished you could just hack everyone to death and not have to attend to the errands of an annoying NPC, that freedom exists. I am not suggesting that killing every NPC in the game will lead to the optimal experience with this title, but the freedom is there for anyone who wishes to try it. The barbaric blood path is a choice, the numerous dialog options as well as other behavior choices could make completing the story a very cerebral experience.

Humans have the Talent Ingenious, which gives a +5% chance of a critical hit and a +10% chance for critical damage. Thrifty gives them +1 to Bartering. The Skill inherent to the race is Encourage. Elves have the Talent Corpse Eater, which allows them to gain the memories of the dead by eating body parts. They may also gain +1 to Loremaster through Ancestral Knowledge. Petrifying Touch is the Skill innate to this r

Divinity: Original Sin was met with universal acclaim when it was introduced over two years ago. This should not be surprising, as the title featured a massive world to explore had almost no restrictions on how the player went about completing it. This story driven adventure featured a multitude of side quests that could be handled in a variety of different manners, resulting in a game experience that becomes uniquely tailored to the player's choices and play style. Creating a worthy follow up to to such a quality game is no small task, but Larian Studios seems to be up to the ambitious task of creating a sequel that doesn't simply match the quality of its predecessor but also surpass it.

There are numerous preset classes to choose from: battlemage, conjurer, inquisitor, fighter, shadowblade, wizard and several more. In addition to the preset build players can select talents such as Elemental Affinity, Ambidextrous or Picture of Health to name just a few of the many. These talents provide stat bonuses or abilities, with one of the more interesting ones being Pet Pal that allows the character to speak to animals. Origin tags contribute to the character's background and open different dialog options such as barbarian, mystic or outlaw. The player may also choose an Origin Instrument for their character between bansuri, tambura, oud or cello, and this instrument may play automatically during certain parts of the game.

Original Sin II is an isometric PC RPG that plays beautifully with mouse and keyboard but also offers full controller support. Perhaps this was a result of how well the controller worked for Divinity: Original Sin Enhanced Edition on console or maybe just a preemptive move with plans for this to go to console, but either choice for control input works well. The music is beautifully composed and accompanies this fantasy setting splendidly, along with the impressive voice acting, and having this title be fully voiced was no small feat. The graphics will not push higher end graphics cards to the limit, but the design of characters, environments and monsters look great as do the cutscenes that possess a painting-like quality. The overall tone of Divinity: Original Sin II is dark and serious, but somehow manages to maintain an element of lighthearted fun and levity. There are a few humorous, sarcastic quip dialog options that pop up quite a bit and the Pet Pal talent can lead to a lot of interesting side quests and humorous dialog. The greatest moment of silliness is when the player enters stealth mode and assumes the form of a shrubbery walking around. While one probably wouldn't file this title under the humor section, it's clear the development team had a sense of humor while creating this.