• 목록
• 답변
• 글쓰기
• 게시판 리스트 옵션
  • 수정
  • 삭제

Throughout the marketing leading up to Death Stranding 's release, and within the game itself, Kojima Productions made it perfectly clear that the themes of the narrative are meant to be focused around making connections. In this case, it comes off as strange that players are told to leave the Mules behind due to them becoming addicted to delivering and impulsively trying to steal cargo. Players really should be given the option to help at least these people by taking them back to a city and working them through their addiction before transitioning them towards reintegrating into soci

**Screen Rant: With the announcement that Fables is returning, there are going to be a lot of fans breathing a sigh of relief, followed by some serious excitement. Would you say those same feelings extend to you and your team, as well

This is one of the most important quests from a story perspective, as it reveals much about Leif and his backstory . Upon defeating the boss of Chapter 4, Team Snakemouth will find a Peculiar Gem. It can be used in Snakemouth Den to unlock a previously inaccessible dungeon, complete with unique enemies and an optional b

One change that should definitely be made to how MGS5 handles this system, however, is the removal of the Fulton recovery balloons that makes capturing enemies very easy. Instead, players should have to physically take Mules and Demens to different facilities, possibly to a specific few that have the ability to rehabilitate these enemies, making each recruitment a much more intimate encounter. Given that the entire narrative of Death Stranding involves connecting Sam to the other characters around him as much as connecting the United Cities of America, having the chance to rescue people would really help drive those themes h

BW: Batman vs Bigby was written with the idea that some of the readers will be new to Bigby and Fables. Everything essential that you need to know is already cooked into the story. You don’t need to be Fables-wise to fully enjoy it. But that’s not to say a reader couldn’t enhance the experience by starting to read Fables too. In fact, I hope many new readers will be inspired to come to Fables as a result of this t

While it seems like common sense to neutralize the healer/support first, doing so will enrage Maki and cause him to buff himself. On the other hand, if both Maki and Kina are defeated first, Yin will automatically surrender. There are many strategies the player can take when fighting this bat

But, as with the most recent Far Cry leak , it's the new content that fans are interested in. In this way, marketing "leaks" can work wonders. It's just difficult when the marketing of a game alienates part of a fanbase like casual or "patient" gam

This is another one for the slow players who weren't caught up, but a little harsher. Given that the remastered version came out just one year after the initial release, players that were picking it up on this marketing cycle got shafted big time. And fans will gladly mention how easy it is to spoil many plot points in The Last of

Bill Willingham: I certainly hope that the excitement is there for Fables readers, new and old, and yes, I have quite a bit of excitement too. My part of the new Fables story is already done. All twelve of the new issues have been written, so I am already past the "can I do this?" stage. Now I get to experience the great part of seeing the penciled and inked pages as they come in, then relive that moment of discovery when the colors come

The B.O.S.S. is an optional challenge that Team Snakemouth can take on in the Bee Kingdom. Players can replay any boss they previously fought, but the real challenge lies in completing the full boss rush or mini-boss r

BW: It’s pretty cool. We’ve been working on this for years now, ever since Mark Doyle floated the idea to me at a convention. For years I haven’t been able to tell anyone what we were working on. Now I can. So what’s it like? It’s a big relief. I’m very happy DC went along with the idea to pick the numbering up at 151, to signal that this is a continuation of the long-running series. It’s not a side-story, it’s the main story, which just happens to be continuing after a protracted br

A character that is more prone for betrayal as well could give an incentive for the player to kill them, gaming avatar immersion even with every system that currently marks that as the absolute last option that should be taken. So now the player chooses, kill a traitor for the greater good, because they're too much of a risk to be left alone, or try to reach out to them again with the possibility that they could cause more damage. This is exactly the kind of tough choice that Kojima Productions is known for forcing into its narratives, but could have an even stronger effect by making the decision completely up to the pla

One of the biggest new features that Fable should look at incorporating is a complete overhaul of the series' morality system. Morality plays a massive role in Fable games, and it has evolved quite a lot over the course of three games. Fable should look at deepening the morality system and making it feel much more modern and reactive to the player's actions. A system similar to the Warner Brothers' Nemesis System , something that has in-game characters/villain react to choices, would be a great way to do this while also making the player feel as though they have a greater impact on Albion. Having an evil character lead to more good heroes rising up to fight them or a good character leading to more powerful and crazier evil characters would add a lot to Fable 's replayability while making every person's save also unique and more perso